The Monstrous Movie Quote Of The Day: Lili Von Shtupp (Blazing Saddles 1974)


"Here I stand, the goddess of desire
Set men on fire
I have this power
Morning, noon, and night, it's dwink and dancing
Some quick womancing
And then a shower.
Stage door Johnnies constantly suwwound me
They always hound me, with one wequest
Who can satisfy their lustful habits?
I'm not a wabbit.
I need some we...
...est

I've been with thousands of men
again and again
they promise the moon
they're always coming and going and going and coming... and always too soon.

Right, girls?"

- Lili Von Shtupp (Madeline Kahn)(Blazing Saddles)(1974)

THE MAN CALLED FLINTSTONE - Do You Know?


Trivia Compiled By: Ken Hulsey
Sources: IMDB / Wikipedia

The Man Called Flintstone is a 1966 American animated musical comedy film produced by Hanna-Barbera Productions and released by Columbia Pictures. It was the second Hanna-Barbera feature, after Hey There, It's Yogi Bear! (1964). The film is a theatrical spin-off of the 1960-66 television series, The Flintstones, and is a swan song of the TV show, made immediately following the end of production on the series. The working title of the film was That Man Flintstone, with the film poster featuring Fred in the same pose of the Bob Peak poster for Our Man Flint. The film is a parody of the James Bond films.

This film was the first feature film voice role for Betty Rubble's voice actress Gerry Johnson. Additionally, it marked the first voice work of Henry Corden, who supplied Fred's singing voice, and would go on to fully assume the role of Fred after Alan Reed's death in 1977.

While the film includes numerous musical interludes, including one song performed by Louis Prima, the popular theme song from the show itself is not used. However, plots from several episodes of the TV series are used, including an episode in which Fred becomes involved in a spy caper spoofing Goldfinger, and another in which he encounters JL Gotrocks, the world's richest man, and his exact double.

During the "Teammates" musical number, when Fred and Barney's airplane falls apart, it becomes the "Flintstone Flyer", the pedal-powered contraption featured in the very first episode of the series.

Unusually, Wilma is seen wearing a blue dress in this film rather than her usual white.

The airplane The Flintstones take to get to Paris has "Qantas" - the name of a real-life airline - written on the side.

The DVD was released outside the United States only, because Columbia Pictures owned the rights to the songs used in the movie. Only after the rights to the songs cleared in August 2008 was the movie released in the United States of America.

After Fred's tie got ruined by Barney while trying to escape the Green Goose's tower, the tie reappears moments later after Fred and Barney got out from the door of the tower.

Rock Slag disappears in back of the desk at the pizza place (after he got knocked out by Barney), when The Chief makes a Phone call and Fred leaves with Tayna.

Variety gave The Man Called Flintstone a positive review on August 10, 1966, calling the production "excellent" and noting that the "stone-age scenery and machinery are mildly amusing and sometimes highly inventive". The review judges that the plot is a fast-moving and clever spoof of contemporary spy films.

Iconic Hollywood Studio To Be Demolished Unless Fans Step In!

Written By: Terri Pressley / Ken Hulsey

Does it seem feasible that the city of West Hollywood would condone the demolition of a historical landmark?

The idea that a city that normally prides itself on the preservation of of historic structures would turn a blind eye when a developer plans to bulldoze a complex that houses one of Hollywood's earliest and most acclaimed studios seems on the outside to be preposterous, but that is exactly what is about to happen.

At the heart of a growing controversy in the land where dreams are created as fast as they are destroyed is the famed Pickford-Fairbanks Studios where such movies as Some Like It Hot, The Thief of Bagdad, Guys and Dolls, and even select scenes from Star Wars (Episode 4: A New Hope) were filmed.



“This is a sacrilege – do the greedy people threatening this not have any pride in the history of Hollywood? Do they not have any respect and pride for the founders of motion pictures, Douglas Fairbanks Sr. and Mary Pickford ? The Save Pickford-Fairbanks studios must stop this from happening – it is obliterating history and the legacy that Douglas Fairbanks Sr. and Mary Pickford left.” — Daphne Fairbanks

The City of West Hollywood and the CIM Group have plans to demolish the legendary Pickfair Studios, founded in 1919 by Charlie Chaplin, D.W. Griffith, Mary Pickford and Douglas Fairbanks. Together they formed the first major independent film studio, United Artist. All four of these historic and revolutionary filmmakers spent the remainder of their careers (with a brief exception for Chaplin) making their films with UA. To accommodate their filmmaking, they built the Pickford-Fairbanks studio on Santa Monica Boulevard at the corner of Santa Monica and Formosa, the former Jesse Hampton Studio lot. In addition to silent film classics like Son of the Sheik, Sparrows, and Thief of Bagdad, films like Wuthering Heights (1939), Guys and Dolls, Some Like It Hot (1959), and West Side Story (1959) were also shot there. When George Lucas returned from England, he reshot some of the original Star War scenes at the Pickfair Studio. The Pickfair Studio saw the likes of not only those greats but stars including Rudolph Valentino, Marilyn Monroe, Clark Gable, Frank Sinatra, Myrna Loy, Natalie Wood, Marlon Brando, Susan Hayward, Greer Garson, Jack Lemmon, Danny Kaye, Eddie Cantor and Laurence Olivier making some of their most memorable films on the historic lot. This studio, located at Highland and Santa Monica on the border of West Hollywood, CA, stands...but not for much longer.


In the early 50s, against Pickford's will (Griffith and Fairbanks were by then deceased), the studio and company were sold. It passed hands several times before being purchased by Sky Partners in 1999 and renaming it’ The Lot’. Since then Sky Partners has been doing all they can to facilitate the demolition of the historic studio. Skye has sold to CIM Group who plans to raze all historic buildings, with of course, the approval of the West Hollywood City Council. Even though these are historical buildings and legally protected as such, the Los Angeles City Council does not care. Land is valuable in this big and overcrowded town; and they want it. As of April 2012 CIM plans to destroy all the historic buildings. It is history they mean to destroy film lovers, we must band together and let them know that we will not stand by idly; they should not be allowed to destroy film history without a fight.

Sign the online petition - Save Pickfair Studios!

There is a growing online movement to save the studio being pushed forward through blogs, classic movie groups and websites. Though this movement is gaining steam very quickly it may not be enough to beat the clock before CIM can move forward with their plans. As it stands now the once iconic studio will begin to be demolished as soon as the first week of April. That's why things need to move and move as fast as possible or one of Hollywood's historic sites will be no more!

How can you help? Well you need to make your voice heard by contacting the powers behind this travesty. Who should you contact? Well we have a list for you:

CIM Group

http://www.cimgroup.com/

6922 Hollywood Blvd. 9th Floor Los Angeles, CA 90028

P.323.860.4900

F.323.860.4901

Karen Diehl

Casey & Sayre

11835 W. Olympic Blvd.

Suite 1285

Los Angeles, CA 90064

p 310.473.8090

f 310.473.8291

kdiehl@cswpr.com

Bill Mendel

Mendel Communications

1841 Broadway

Suite 1009

New York, NY 10023

p 212.397.1030

f 212.974.0705

bill@mendelcommunications.com

City of West Hollywood City Council

8300 Santa Monica Boulevard

Hours of Operation: Mon-Thurs 8am - 6pm; Fridays 8am - 5pm.

Telephone: (323) 848-6400 (323) 848-6400

Phone: (323) 848-6460

Email: ccouncil@weho.org

Mayor John J Duran: jduran@weho.org

Mayor Elect Jefferey Prang: jprang@weho.org

Councilmember John D’Amico: jdamico@weho.org

John Heilmen: jheilman@weho.org

Councilmember Abby Land: aland@weho.org

Sr Planner Contreras: fcontreras@weho.org

Sr Planner Degrazia: ddegrazia@weho.org

The May L.A. Comic Book and Science Fiction Convention

by Armand Vaquer

The Los Angeles Comic Book and Science Fiction Convention mailer arrived today. Their next show is set for May 6 at the Shrine Auditorium Expo Center and the special guest list is quite impressive.



Lara Parker (left), who played Angelique in ABC-TV's Dark Shadows.

Photo by Armand Vaquer.












Kathryn Leigh Scott (below right), who played Maggie Evans and Josette on ABC-TV's Dark Shadows.

Photo by Armand Vaquer.




















Barbara Leigh, the original Vampirella cover model for the classic run of Warren's Vampirella magazine.

Ian Ogilvy, who starred as The Saint in the 1978-79 television series The Return of The Saint.

Audrey Dalton, who starred in Boris Karloff's Thriller and The Monster That Challenged The World.

Ann Robinson, who starred in the George Pal (and still the best) version of War of the Worlds.

Georges Jeanty, Dark Horse comics artist on Buffy The Vampire Slayer.


Last January, I had a table for The Monster Movie Fan's Guide To Japan. I may just do it again at this show. I've a couple of weeks to decide.

It is timely that the show will feature two of the original Dark Shadows cast members as the Tim Burton movie version will be released the same month. Both actresses appear in a cameo.

What's New At Sci Fi Toys!

Written By: Ken Hulsey

I know I know! I was AWOL again last week, but for a change I have a legit reason for my absence. as it were I was taking the week to redesign, restock and relaunch my online store called "Sci Fi Toys" which many of you may or may not be familiar with. I'm really pleased with my work, the site now looks a lot more like Monster Island News and now has several stand alone pages the make finding new products much easier! I hope you all enjoy it .... and open up your wallets from time to time.

Here is a list of the new items I added this week:


Also stop by and check out our Geek Girl For March 2012 - Analeigh Tipton

The Monstrous Movie Photo Of The Day: A Lesson In Love

Written By: Ken Hulsey

Yes my friends there is love in every corner of the galaxy even in a place as remote as Altair 4.

Hey movie moshers it's time yet once again for yet another movie photo and today I have one from what could be legitimately argued as the best sci fi film of all-time "Forbidden Planet". Now as most of you already know this cinematic treasure features a mature plot, great special effects, one of filmland's most memorable monsters (Monster From The Id) and of course Robby the Robot. Also at the heart of the story of "Forbidden Planet" is a love story ... actually a love triangle to be precise, between the only female resident of planet Altair 4, Altaira who was played by the late Anne Francis and two intergalactic rocket jocks played by Jack Kelly and Leslie Nielson (yes, the funny old guy from the Naked Gun movies).

Here is your photo caption from the back of the image:

A LESSON IN LOVE ... Anne Francis, as the daughter of a scientist on the planet Altair 4, who had never met any man except her father, gets her first kiss when she meets Jack Kelly, as an officer of a space ship from Earth, in M-G-M's first science fiction thriller "Forbidden Planet".

"Forbidden Planet" stars Walter Pidgeon and Anne Francis with Leslie Nielson, Warren Stevens, Richard Andwerson, Earl Holliman, Jack Kelly and introduces Robby, the Robot. Nicholas Nayfack produced with Fred Wilcox directing from screen play by Cyril Hume.

This is an original 8x10 studio image on glossy paper serial numbered S-1671-66,67

Tim Burton's "Dark Shadows" A Comedy?

by Armand Vaquer



The trailer (above) for the new Tim Burton Dark Shadows movie, with Johnny Depp as Barnabas Collins, has people talking.

The trailer indicates to some that the movie would be played as a comedy or spoof.

Over on Twitter, I asked original series cast member David (Quentin Collins) Selby, "Is the DS movie "comedic" or not?"

His webmaster responded:

Production was all very hush hush. Not sure even the original series actors with cameos know. (I'm David's webmaster.)


Wonder why details are so hush-hush? It will be interesting to see how this plays out.



UPDATE: Here is my gut reaction after watching the trailer several times:

I enjoyed Ed Wood. It was a very entertaining movie. It could have been a depressing movie given its subject matter.

I watched both Dan Curtis television series (1967-71 & 1991) and the two feature films.

From what I can tell from the trailer, this is definitely a movie whose approach is from the comedic side. Is that bad? I don't think so. It looks to me that this will be entertaining. Maybe hardcore Dark Shadows devotees won't particularly like it, but I think this may be a fun movie.

The Monstrous Movie Clip Of The Day: Will You Believe It When You're Dead?



Written By: Ken Hulsey

Happy St Patrick's Day monster movie maniacs! By now you are probably really drunk or watching March Madness basketball ... or really drunk watching basketball? Anyway today is a day for all things green so I have a clip from the greatest Irish sci fi monster movie of all time "The Green Slime!"

Okay it's a Japanese flick with actors from Europe produced by Americans but it does have the word "green" in the title so I declare it an honorary Irish movie ... as if I could do such a thing.

There has to be somebody Irish in the thing right?

It also wouldn't hurt if you were actually drunk while your watching "The Green Slime" because it is one of those "it's so bad it's good" kinda films which means yours truly really digs it and watch it every chance I get.

The clip I have for you today is fan made job combining action sequences from the movie with it's ultra groovy theme song.

What can it be, what is the reason
Is this the end to all that we've done?
Is it something in your head?
Will you believe it when you're dead?
Green slime, green slime, green slime

Poetry ... Leif Garrett and David Cassidy eat your hearts out!

History:

The Green Slime (ガンマー第3号 宇宙大作戦 Ganmā Daisan Gō: Uchū Daisakusen, aka Gamma 3: Operation Outer Space) is a 1968 science-fiction film produced by MGM in the United States and shot in Japan at the studios of Toei Company by director Kinji Fukasaku. The film was spearheaded by the same creative team who produced similar Italian outings including Wild, Wild Planet, Ivan Reiner and Walter Manley.

A group of astronauts set out to stop a giant asteroid on a collision course with the planet Earth. They land on the asteroid, plant explosive charges and destroy it. Afterwards they return to the staging area, a space station called Gamma 3 in orbit around the Earth. Unfortunately, a scientist from the mission has unwittingly carried a luminous-green substance on the leg of his spacesuit which quickly mutates into one-eyed, tentacled monsters with the ability to discharge lethal bolts of electricity. The Gamma 3 crew fend off the alien creatures with their laser-based weaponry, only to discover the creatures feed off the energy which, in turn, allows them to multiply rapidly, sprouting the new creatures from their blood. As the creatures overrun the station the crew continues to fight back against overwhelming odds.

- Wikipedia

In other words big globs of green space goo mutates into giant sausages with one red eye and tentacles that has an unquenchable hunger for electricity. You shoot one and it's blood turns into several more. People die and the space station goes boom!

The female love interest Luciana Paluzzi is also easy on the eyes ... you don't even have to have a few to think so!

In parting I want to share an Irish blessing with all of you:

"May you live a long life Full of gladness and health, With a pocket full of gold As the least of you wealth. May the dreams you hold dearest, Be those which come true, The kindness you spread, Keep returning to you."

... and may I add if you step in some green alien space goo (hopefully not green beer spew) don't track it in the house or you will soon be overrun with mutant space goobers who will run up your electric bill.

The Monstrous Movie Quote Of The Day: Jennings (Revenge Of The Creature 1955)

"I've lost my white mouse."

- Jennings - Lab Technician (Clint Eastwood)(Revenge of the Creature)(1955)

Let me explain this one. Now normally I post quotes that are quite memorable or witty, and granted "I've lost my white mouse" doesn't really fall into either of those categories. The reason I chose such a quote on this St. Patrick's Day is because it's from one of the "Creature" films (and he's green) and it's the first ever onscreen line uttered by Clint Eastwood (he has Irish blood running through them veins).

In case you don't know who Clint Eastwood is ... well ... he starred in a bunch of Italian westerns, was a sidekick to an orangutan in a couple of movies, played Dirty Harry and directed some Oscar winning films.

Yep, he's done okay for himself.

As it were Eastwood was uncredited for his role as Jennings The Lab Technician in "Revenge of the Creature" much like Leonard Nimoy (as an Air Force sergeant) in "Them!" and George Takei in "Rodan".

Gee ... maybe Clint should have tried out for "Star Trek?" ... well no use looking back at what may have been.



You can't pinch this post ... it's got green all over it!

"50 Reasons Why Tokyo Is The Greatest City In The World"

by Armand Vaquer

Above, the Tsukiji Fish Market. Photo by Armand Vaquer.

Along with the Wako Department Store in Ginza, the National Diet Building, the Yurakucho Mullion complex and other kaiju-related sites featured in The Monster Movie Fan's Guide To Japan, Tokyo has other things for travelers to see and do.

CNN Go.com has a list of "50 Reasons Why Tokyo Is The Greatest City In The World."

Included on the list are the railways, Tokyo Sky Tree, Shibuya Crossing (featured in Godzilla and Gamera movies), Imperial Palace, Yodobashi Akiba (and other Akihabara electronics stores), Tsukiji Fish Market, Mandarake Complex, manga-kissa (or "comics café") and many others.

The Godzilla statue in Hibiya made the list:


34. Behold the least impressive statue of a giant monster

Standing in the shadow of the film company that unleashed Godzilla on the world, this bronze effigy of the giant creature in Hibiya park towers a whopping ... half-meter high. We suppose a life-sized 70-meter version would have been prohibitive, but half a meter? At least the pedestal raises it above eye level.



At least there's the man-sized Godzilla statue at Toho Studios to savor if the one in Hibiya doesn't impress.

To view the list, go here.

The Monstrous Movie Photo Of The Day: Murderers, Original Plundering Murderers

Written By: Ken Hulsey

Good morning citizens! I know it has been a grueling two weeks since my last post and that most of you have been going through some sort of withdraws. I do apologize and I hope that the shakes have stopped.

The reason for this unexpected hiatus was simply do to the fact that my laptop had caught some sort of nasty bug that really wanted to hang on and make my life miserable.

All you hackers can burn!

Before I get into my article let me pass on a bit of healthy advice to you. Looking at naughty pictures on the Internet seems like a rather harmless thing to do but in reality it can lead to your PC getting infected with nasty malware and spybots. Hey, I know everyone loves to look at boobs all day! Just Say No!

In all honesty though I really didn't get my virus looking at porn .... I got it looking for a poem. No, really! A poem ... no lie. It just sounded way cooler for me to say that I got infected by looking at pics of big breasted lesbians than looking up poetry.

Yes, even I have a soft romantic side ... aw shut up!

Anyway back to the topic at hand another movie still from the personal collection of yours truly, this time from the cinematic gem known as "Gigantis the Fire Monster." For those of you out of the loop the afore mentioned movie is an Americanized version of the rather underrated Japanese monster movie "Godzilla Raids Again" which was the first in a long list of sequels to the original "Godzilla" (Gojira). Now I have talked at great lengths about how this film that was produced by Warner Bros is a complete mess so I will only touch on the subject again briefly. To sum it up Gigantis (Godzilla) is called Anguirus (the other monster in the film), Anguirus is called Gigantis, the monsters roars get mixed up, the original movie score by Masaru Satō was replaced by stock music from other films including "Creature from the Black Lagoon" and the dialogue really has to be heard to be believed.

"Horrors in the world of science are part of nature's plan."

You'll scratch your head for hours!

Though "Gigantis" is not even on the same playing field with it's Japanese counterpart the film does retain a sliver of it's charm and the love story contained therein if you look hard enough and there is still plenty of monster mayhem and carnage to be enjoyed.

There is also the story about how the two original Japanese made monster suits fell into Hollywood limbo after they were shipped stateside to make another film based on "G Raids Again" called "The Volcano Monsters" that was to be produced by Hary Rybnick and Edward Barison of AB-PT Pictures which went belly up before it could be made. Those two suits are either still in the possession of a studio, which has no idea they have them, or they are in the LA dump.

As for the photo itself it is an 8x10 printed on glossy stock paper and it's serial number is 59/179.

I really like the composition of this one with both Godzilla and Anguirus going at it in the background with the three major human characters running for their lives in the foreground.



See Also: Godzilla, Anguirus, And The Case Of The Missing Monster Suits / Gigantis The Fire Monster

"Japan Safe For Monster Fan Tourists"



by Armand Vaquer

Last summer, I wrote an article, "Japan Safe For Monster Fan Tourists" that got some play on the Internet (Anime News Network posted it, amongst others). With the first anniversary of the Great East Japan Earthquake Coming up this Sunday, the media has been increasing Japan travel-related stories. The western media initially published hysterical stories on the radiation problems of the Fukushima nuclear power plant that dissuaded some from considering a vacation to Japan. To again "set the record straight" for monster movie fans, here is the article:

TARZANA, CA - The March 11 earthquake and tsunami in the Tohoku region of Japan has depressed tourism throughout the country. Author Armand Vaquer says this is totally unnecessary. Prior to the earthquake, tourism amounted to 7% of Japan's Gross Domestic Product (GDP).

The Pacific Asia Travel Association (PATA) recently declared that Japan is safe for travel.

Armand Vaquer, author of "The Monster Movie Fan's Guide To Japan" said this is especially true for fans of Japanese science-fiction and fantasy movies. The landmarks and locations from the movies were untouched by the disaster.

"Most of the locations shown in the movies are far away from the areas affected by the March 11 earthquake, tsunami and radiation problems," said Vaquer. "Most of them are located from Tokyo to the south down to Kyushu. The quake zone is about 150-200 miles northeast of Tokyo. The majority of Japan is now operating normally. Fans of Japanese science-fiction and fantasy movies should not be afraid to visit Japan. It is safe to do so."

Vaquer said that when asked, he encourages travelers to go ahead and visit Japan. "Since March 11, I have monitored the situation in Japan so I could provide accurate assessments for tourists," said Vaquer. "Unfortunately, the western media gave people the wrong impression in their reporting immediately following the quake. Their reporting had people thinking the whole country was affected. Not true."

"The Monster Movie Fan's Guide To Japan" is the world's first and only Japan travel guide tailored to fans of Godzilla, Gamera, Mothra, Rodan and other Japanese giant monsters. It provides information on each location/landmark, how to get there and what other attractions are nearby.

"'The Monster Movie Fan's Guide To Japan' is an 'unorthodox' travel guide," admits Vaquer. "But baby-boomers' first exposure to Japan and Japanese culture were through the movies. They want to see the locations and landmarks shown in the films. They should get the travel guide and go and have themselves a great time."

"The Monster Movie Fan's Guide To Japan" is available through http://www.comixpress.com/store/index.php?main_page=product_info&cPath=0&products_id=1554&zenid=jiq9fjvt4qa67a698cucr0mlf6

Mill Creek's GAMERA 3 blu-ray is a Keeper


Written By: Evan Brehany

Here we go again. Evan Brehany talking about Gamera 3.

Thanks to a series of fortunate events, I was able to own the blu-ray release of GAMERA 3: INCOMPLETE STRUGGLE which was released by Mill Creek. The Heisei Gamera trilogy has been a lucky one, looking back on it. All three films are great works for the genre, in particular the third one which is something of a milestone in Japanese cinema. More importantly, the films have been lucky here. Each and every release of the films here in America (on a digital format) has been a great product. Anamorphic widescreen (most of the time), fair picture quality, a wealth of special features which are from Japan (Save some embarrassing material ADV produced), all in subtitles.



Does Gamera’s luck continue into the blu-ray age?

Of course it does. Thanks to the insane cheapness of the blu-ray for GAMERA 3 and the double feature blu-ray of the previous installments, these films are not only among the first kaiju films to be released on blu-ray here in America but are also very accessible to even the most scrooge-esque of collectors. Because of such popularity, this particular product has been noted for it’s three hours worth of material to the trilogy as a whole. Such a package seemed out of the scope of my imagination. Mill Creek Entertainment has been known to bootleg crappy pan and scan prints of the Showa Gamera films for years now (though it seems it is only GAMMERA THE INVINCIBLE is being done now in a multi-pack). This was definitely something out of left field. Almost as big of a turn around as what Classic Meidia showed back in 2007.

But how does the package handle itself overall?

VIDEO: 4.5/5
I cannot comment on the quality of the high definition transfer. I can only hope it is beautiful. The best special effects the kaiju genre has to show for and I am stuck watching it in 480p due to not owning composite chords or a HDMI chord. I can however speak about different aspects of the picture though.

In comparison to a copy that I own (sourced from the next to last printing of the R2 DVDs), I can say that the new transfer is better in terms of color. The colors are not as vibrant as what my DVD has, but in return that has something I haven’t noticed before - the amount of bleeding in the picture. It’s not a big difference, but it is noticeable. The bleeding might not even be bad, for it creates a more atmospheric appearance (like how one might like to watch films on VHS). For those who see bleeding as a problem with past releases though, you’ll like this transfer.

AUDIO/SUBTITLES: 4/5
You are going to have to refer to other reviews for more specific and technical based analysis on the disc’s audio. You got two Japanese tracks and an atrocious dub track (I have never seen GAMERA 3 dubbed and I do not plan on it).I will say that even though I am using regular A/V chords to connect my player to my tv, there are some elements which I could hear better than what I could on other releases.

What should be mentioned here though is the subtitle tracks. No, I am not going to complain about them too much. Either they are too big or they are late. I’d personally have the latter. I can piece together what subtitles go with what section of the video. I will complain about the fact that this is a new subtitle track. I am complaining about it because some of the old mistakes the translation on the ADV DVD release had are made again.

For example, when Nagamine finds out that Ayana has a magatama, we go over to the scene of a phone call in which one whole line for Asagi is, “Magatama”. On the ADV DVD, that is translated not as the proper noun it is “A curved black jewel” (a magatama is a magatama, to say “curved black jewel” is like replacing a proper noun with descriptive adjectives). It is worse on this commentary track in which the line is translated as, “You found one?”

There is also noun misusage when Ayana tries to prove herself to the female bullies at school by going in and trying to lift the rock out of the cave. Ayana asks what is in the cave only to be told “…a monster or something” (line is basically the same on both releases). The antagonist chick does not say monster, rather yokai. Yokai like gappa or one of those things from Daiei’s Yokai series (Great Yokai War anyone?) It seems Japanese terms are being ignored. That’s part of the charm of the Gamera trilogy, they are more Japanese than their Heisei Godzilla counterparts.

One improvement was better though. After Gamera’s attack on Shibuya, you have Ayana’s little brother calling her to come see what is on the television. On the ADV DVD, the subtitles translate what he is saying (which sounds like “ohniynjah”, clearly not “Ayana”) as “Ayana”. On the new translation, it is read as “Come quick!”. Easier to believe.

SPECIAL FEATURES: 5/5
For you Gamera die hards and fans out there, this is the reason to get this one disc. In fact, because of this reason, every fan in every country - including Japan - should own this Blu-Ray. The answer is simple - the three hours of material on this disc is material sourced from the Japanese laserdisc box sets for all three films. That is a big deal.

The fact of the matter is this - three main companies handled the video releases of material pertaining to the Gamera trilogy. You had Amuse Video, Daiei Video, and Kadokawa Video. The model was like this: never copy something from one medium to another. If something was released on VHS, do not put it on laserdisc or DVD. If something was put on laserdisc, do not put it on DVD or VHS. Even in Japan, if something was put on DVD, VHS, or Laserdisc, it did not go onto the blu-ray. The Japanese blu-ray for the Gamera trilogy only had one special feature - a three part feature (just a whole bunch of interviews edited together and split into three parts). Unless you had a laserdisc player or bought materials from an illegal source, there was no looking at the special features in the laserdisc box sets.

Until now. Even more interesting, Mill Creek Entertainment has gone the extra mile to even subtitle the material for us. Not everything from the blu-rays are on here now. For example, the laserdisc box set for GAMERA 3 did contain the music video for “Tell Me Once Again”.

Rightfully so, most of the material on the blu-ray belongs to GAMERA 3. It starts off with a Gamera test which shows off the terrible sliding the back shell platelets were prone to. After this and the material for the first two films are over with, there is the “REVENGE OF IRYS REMIX”. To those who do not own the G3 LD Box set, this feature was actually supplemented with a book. The remix is basically the sound mix/track (sound effects, dialogue, ect.) for areas of the film that used SFX and instead of the scenes playing out like they do in the film, they are made up of corresponding B-ROLL footage. For example, with the atmospheric battle between Gamera and Irys, Gamera ramming himself into Irys would be shown via two guys holding shoulder and head props of the kaiju with the following attack changing to in-progress CG work. You see what computer programs and such the production team used. You can edit in each of these bits into their corresponding places within the film and you wouldn’t go out of the 108 minute running time (and if you do, it is just by a little). It is quite a unique feature.

There is also G3 trailers, which unlike the ADV DVD do not come subtitles (for the record, for those who didn’t get it, the vertical line of text at the beginning of some of the trailers is the same text that goes up the beam of light Irys is producing on the poster. It says “I will never forgive Gamera”, which is quite more hefty than “Godzilla dies”).They are not as plentiful as the ADV DVD either.

The best piece is the deleted scenes. Sure, the subtitles are out of sync for this, but at least they do not take up the entire screen. While some say the deleted scenes help answer things about the film, they actually (for me) form more questions than answers. While I can see why they would be cut out, the deleted scenes with Asakura Mito and Kurata Shinya should have been kept. Would have helped with the mythology. Such as further allusions to the I, CHING, the questioning of Nagamine’s theory that the Gyaos truly were biologically engineered, and such would have been so grand.

GAMERA: GUARDIAN OF THE UNIVERSE gets the short end of the stick here, with just a short little tidbit. But what a tidbit! Talking about specific equipment the crew has to use and specific camera lenses and such really are great for those wanting to learn about the technical making of a kaiju film. Adds to a dictionary such as “oh, that prop is a kapock figure” or “those guys helping out the suit actor are Gamera kakari”.

GAMERA 2 has basically just a bunch of b-roll. With the material being sourced from a laserdisc, it should come as no surprise that there would be problems. The images on screen are too dark for a section. But, it is not all that bad. The making of the Legion suit, the b-roll with certain scenes and such really is interesting. Just too bad that some of the more important things, like the quick usage of motion capture in GAMERA 2 wasn’t in with the clips.

That being said, this is great when it comes to the actual making of the films. Yes, as it has been said, those who are completists should definitely keep their ADV DVDs. No doubt about it. But, both products together gives one quite the comprehensive insight. Again, if there has to be one reason to pick up this disc, this is the reason. With the Japanese laserdiscs going for over $75 (the GAMERA 3 laserdisc rising towards a $200 price ticket), it is wise to buy this blu-ray. This goes for fans in every country. Germany, China, Mexico, Iraq. If you are a kaiju fan who cares about seeing making ofs and such, you should get this rather cheap disc.

OVERALL:
Originally, I was going to hold out for the Japanese blu-ray box set. Thanks to finding an unused gift card under the oven, I was able to buy this blu-ray from Walmart. To have thought I would have waited for such is inconceivable. The film is presented nicely, and probably greatly if I had a HDMI chord or composite cables. The extras are the selling factor of the release and are a must. Only bad thing to say it is with neither release the subtitles for the special features are perfect. Chances are, if you are as well informed as me in your research, you have been bits of the special features on youtube (They were uploaded on there before the blu-ray was release, sans subtitles), but the G2 material is new to me. And it is subtitled. It’s great!